小女孩不斷向前奔跑，系統卻悄然回報異常。《 系統詩＿失 》以身份被格式化、崩解，再重新生成為核心，探討身分認知、關係與情感如何被轉譯為可辨識的系統格式。藝術家路馬力將日常角色切換中的錯位、壓力與情緒—含與工程師debug的協作經驗、家庭期待與創作中的自我修復—轉化為介於程式碼與血肉之軀之間的詩性輸出。本展如同一則寫給被規訓身體與意識的訊息，一旦送出便無法收回。在《 SYS_LOSS 》系列作品中，作品中的小女孩如同原始數據被覆寫與校正，於《 LOG 》系列中，程式編碼象徵秩序與規訓，將無法分類的感受推入錯誤日誌（ Error Log ）中。

展覽透過繪畫、複合媒材與創作日誌，構築藝術家心理的漂移地圖;觀眾並以「唯讀權限（ Read Only ）」進入藝術家的內在雲端空間，瀏覽路馬力的溫柔抵抗。展題中的「失」並非遺失或缺席，而是在未完成與持續生成間，保持開放的運算狀態，持續備份自己。

The little girl continues to run, while the system quietly reports anomalies.《Unbecoming》 centers on the processes through which identity is formatted, destabilized, and continuously regenerated. The exhibition explores how selfperception, relationships, and emotional states are translated into recognizable system languages and  operational structures. Artist Mary Lu transforms the  dissonance, pressure, and emotional residue produced through everyday role-switching—including her daytime collaborations with engineers through debugging processes, familial expectations, and acts of self-repair within artistic practice—into poetic outputs. The exhibition unfolds like a message addressed to bodies and consciousness shaped by systems of discipline: once transmitted, it can no longer be withdrawn. Throughout the SYS_LOSS series, the little girl emerges as a trace of raw data—continuously overwritten, corrected, and reformatted. In the LOG series, programmatic code becomes a metaphor for systems of order, control, and normalization, relegating emotions that resist categorization to the realm of the Error Log.

Through painting, mixed media works, and the artist’s archival journals, the exhibition unfolds as a drifting psychological map of the artist’s inner landscape. Viewers enter this intimate cloud-like space with “read-only access,” navigating Mary Lu’s subtle gestures of resistance without fully intervening in them. Within the exhibition title, the character “失” (“loss” / “un-becoming”) does not signify disappearance or absence, but rather an open computational state—suspended between incompletion and perpetual becoming, while preserving fragments of the self.